What​ are the people in our lives really like – inside? Seeming and being may not be the same. Smiles may be false and vows of love insincere. Appearances are deceptive; you can’t tell a book by its cover; beauty is only skin deep.

The video’s opening shot shows a man hiding under a bed snipping in a hole in someone’s sock. Seconds later, the same man uses a saw to shorten a table leg so that it wobbles during breakfast.

W. H. Auden was the most naturally talented poet of the 20th century. With a verbal felicity that bordered on wizardry, he could write erudite, amusing, wry, ironic, comic, or serious verse in an extraordinary range of forms.

In 2000, renewable sources of power (of which wind is the most important) accounted for 2.8 per cent of all electricity generated in the UK. By 2024, that figure had increased eighteenfold to 50.4 per cent. This remarkable growth follows from the multiplication of wind turbines in fields or out at sea.

Yesterday I was in Mr. Jones’s church to help get everything ready for this evening. A vicar from Leicester will be giving a lecture on the Reformation and illustrating it with a magic lantern showing scenes from that period. I’ve already seen some of the plates, they’re in the manner of Holbein.

My guess is you keep across the news. You know Andy Mountbatten-Windsor has just had the worst birthday ever; that tall hotels in Dubai don’t make for a great holiday right now; and that Keir Starmer’s engagements diary for 2027 will be remarkably clear.

Inscribed in Latin​ on a large floor slab in the chapel of Eton College is a memorial to a former provost, Sir Henry Wotton, who died, aged 71, in December 1639: ‘Here lies the first author of this sentiment: The itch of disputation is the scab of the churches. Inquire his name elsewhere.’

Frida Kahlo’s face and art are recognised worldwide, but that was not always the case. “How and why did this evolution happen?” asks Mari Carmen Ramírez, the lead curator of the exhibition Frida: The Making of an Icon at the Museum of Fine Arts, Houston (until 17 May), in this accompanying catalogue.

This is a whole new genre – a kind of Netflix-style academic book which reads scenically yet delivers a powerful historical analysis, fully referenced.