As Ralph Ellison wrote in 1944, “To be Black in America is to live in a cruel and dangerous parallel existence, one mostly invisible to those of other races”. Ellison both echoed W. E. B. Du Bois’s earlier terms for the psychological effects of such an existence, “double consciousness” and “the veil”, and foreshadowed the findings (in Black Skin, White Masks, 1952) of the French Afro-Caribbean psychiatrist Frantz Fanon, who considered that the Black brain might be scrambled into psychosis by racism.

It is almost obligatory for a review of a book about Robert Hooke to characterise him as ‘overlooked’ or even ‘forgotten’, and to complain of his eclipse by Newton. The most melodramatic authors will add the story – entirely spurious – that Newton ordered the destruction of Hooke’s portrait upon assuming the presidency of the Royal Society in 1703. In fact, Hooke has never been forgotten.

Martin Rowson is one of Britain’s best-known satirical cartoonists. He is also a writer and his essays and columns – including for Tribune, the Guardian and the Independent – are collected in As I Please and Other Writings 1986-2024.

Espionage in the Vatican goes back to Pope Pius V in the late 16th century and continues up to the present day. In his candid, wide-ranging study, Yvonnick Denoël, a French historian who has written on the CIA, Mossad and spying in the 20th century, draws on freshly released foreign service archives for Vatican Spies: From the Second World War to Pope Francis, an interesting study translated from the French by Alan McKay.

Medieval manuscripts are full of warnings to would-be miscreants, but, as Eleanor Baker’s book makes clear, curses meant to protect the written word are not an invention of the Middle Ages. A temple dedicated to the sun god Shamash by Yahdun-Lim, king of the city-state of Mari, in what is now Syria, between 1820 and 1796 BCE, wishes death and devastation on any who might defile the temple or mar its inscriptions, and even on their descendants.

Two years ago, on Boxing Day 2022, novelist and screenwriter Hanif Kureishi suffered a fall in Rome that left him paralysed. Since then, with the help of family members, he has been recounting his devastating experience of “becoming divorced from [himself]” on Substack and in a memoir, Shattered, published earlier this year.

This is at once a wise and wonderfully enjoyable book. Mark Lilla treats weighty matters with a light touch, in an elegant prose style that crackles with dry wit. Almost every one of the short sections into which the narrative is divided – and there is a narrative, cunningly sustained within what seems a relaxed discursiveness – takes careful aim and at the end hits the bullseye with a sure and satisfying aphoristic thwock.

In 1854 the fortunes of North Brookfield, Massachusetts were improving. A Congregational minister welcomed the fact, but worried that “not one dollar in fifty” in the shoe-manufacturing town “passes through our hands that is not probably derived” from “Southern slavery”.

The origins of the modern-day Spanish nation do not predate the existence of empire. In 1492 the Genovese adventurer Christopher Columbus set sail under the flags of the Catholic Monarchs – Queen Isabella I of Castile and King Ferdinand II of Aragon – whose dynastic union and reconquest of Muslim territories laid the foundations for a unified country that, between 1580 and 1668, incorporated Portugal.

Drawing, as Susan Owens notes in this virtuosic study, is almost impossible to define. The word ‘can mean anything from the lightest sketch to the most complete, fully realised work of art’. The drawings Owens selects range from scratches on limestone, via charcoal, chalk and ink, to wire structures and splatters of bodily fluids.