Growing up​ in Liverpool we knew about mass violence. The Blitz had left bombsites that were thickest around the docks. The cenotaph in front of St George’s Hall told us what had happened to the men who enlisted there. Surrounded by Murphys and Rooneys you could hardly forget the Great Famine that pushed waves of Irish immigrants into Liverpool cellars and court housing.

Biographies of historians aren’t always terribly interesting: we are a tribe that usually does little except sit in archives, libraries, seminar rooms and lecture halls. But sometimes you can find colleagues whose lives are more active and perhaps a bit more interesting than the run-of-the-mill.

The Forrest Gump of Asia? Not quite – but the life of Huang Chin-tao, as explored in Anna Beth Keim’s Heaven Does Not Block All Roads (Hurst), reflects many of the turning points in the modern history of one of the most controversial places on the continent: Taiwan.

A host of Second World War anniversaries this year highlighted the enormous part played in that conflict by new and ever more destructive technologies. Gareth Williams’ The Impossible Bomb (Yale University Press) opened my eyes to the role of British science in the development of nuclear weapons.

Art in Pakistan, like its culture and language, has never quite fit the nation state that now contains it. Instead, it arises from the visual traditions of the Indian subcontinent and the Islamic world, passed through the refining fire of global modernism and the productive alienation of political trauma.

Religious conversions do not, for the most part, make for good anecdotes. An exception can be found in Patricia Lockwood’s memoir Priestdaddy, which describes the author’s father Greg’s road to Damascus experience in a nuclear submarine off the coast of Norway, where he watched The Exorcist 72 times

One of the difficulties of talking about modernism is grasping that will-o’-the-wisp, the modern. How can cultural innovations be the latest thing when they’re always, by definition, becoming obsolete? In what sense is a set of century-old artistic experiments still modern?

According to the German philosopher Arthur Schopenhauer (1788-1860), people prefer reading books about great thinkers rather than by the thinkers themselves because ‘like is attracted to like and the shallow, tasteless gossip of a contemporary pinhead is more agreeable and convenient to them than the thoughts of great minds’.

Rime Allaf takes the long view of Syria’s descent into hell. Her story begins with President Hafez al Assad, the architect of the socialist Baathist dictatorship that, from 1970 to 2000, immiserated and impoverished an entire nation before his son and successor Bashar utterly destroyed it.

A historian who spent more than a month in Gaza at the turn of the year says he saw “utterly convincing” evidence that Israel supported looters who attacked aid convoys during the conflict.